Latest Movies, Added With Trailers

Star Wars: Visions

This anthology of animated shorts from around the world celebrates the mythos of Star Wars through unique cultural lenses.

Animation, Sci-Fi & Fantasy, Action & Adventure

7.1
Tommy Little: Pretty Fly for A Dickhead

Tommy Little is the reigning rock star of Australian comedy. Now the country's favourite dickhead has done something that nobody thought was a good idea, he became a pilot. While most of us were busy giving up on baking in the lockdowns, Tommy aimed for the heavens, taking flying lessons and nailing his first solo flight (well, sort of). You'll hear about this, and other adventures in Pretty Fly For A Dickhead. On stage, Tommy is a perpetual motion machine, constantly working the crowd and landing line after line.

Comedy

5.4
Hugo

7.2
Star Trek Into Darkness

After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.

Action, Adventure, Sci-Fi

7.7
The Nameless Days

On the border between United States and Mexico, once every 20 years, there are days that locals call timelessness. At this time the gods, to whom the ancient Aztec tribe made sacrifices, descend to earth to take human souls.

Horror, Mystery, Thriller

4
Nobody's Hero

Christmas Eve is ruined by an act of terrorism in the city of Clermont-Ferrand. As the city descends into panic, thirty-something Mederic falls in love with older prostitute Isadora.

Comedy, Drama

6.3
The Night Agent

Brought together by a midnight phone call, an FBI agent and a cybersecurity expert must unravel an ever-growing web of political conspiracies.

Action & Adventure, Drama, Mystery

7.7
1915: Legend of the Gurkhas

A psychological war drama inspired by true events of Rifleman Kulbir Thapa, an inexperienced soldier goes through an incredible journey that eventually cements his name among the legendary Gurkha warriors.

Drama, War

5
The Untouchables

Elliot Ness, an ambitious prohibition agent, is determined to take down Al Capone. In order to achieve this goal, he forms a group given the nickname “The Untouchables”.

Crime, History, Thriller

7.8
Red Cliff

The first chapter of a two-part story centered on a battle fought in China's Three Kingdoms period (220-280 A.D.).

Action, Adventure, Drama, History, War

7.3
Yakuza Apocalypse

In the ruthless underground world of the yakuza, no one is more legendary than boss Kamiura. Rumored to be invincible, the truth is he is a vampire-a bloodsucking yakuza vampire boss! Among Kamiura's gang is Kageyama, his most loyal underling. However, the others in the gang view Kageyama with disdain and ridicule him for his inability to get tattooed due to sensitive skin. One day, assassins aware of boss Kamiura's secret arrive from abroad and deliver him an ultimatum: Return to the international syndicate he left years ago, or die. Kamiura refuses and, during a fierce battle with anime-otaku martial-arts expert Kyoken, is torn limb from limb. With his dying breath, Kamiura bites Kageyama, passing on his vampire powers to the unsuspecting yakuza. As he begins to awaken to his newfound abilities, Kageyama's desire to avenge the murder of boss Kamiura sets him on a course for a violent confrontation with Kaeru-kun, the foreign syndicate's mysterious and seemingly unstoppable leader!

Action, Comedy, Horror

5.5
Where Are You Taking Me?

A high society wedding, bustling city streets, a center for former child soldiers, a nightclub full of music and laughter: these are the many faces of today's Uganda, as wonderfully captured by filmmaker Kimi Takesue. Whether exploring the pulsating energy of the city or contemplating quiet moments in the country, her artful camera compositions and the lyrical pacing of the film allow us to truly engage and process the foreign land on our own terms. Documenting Uganda while it deals with day-to-day realities and the aftermath of its civil wars, Takesue, well aware of her perspective as an outsider, strives for simple, unadorned honesty. Employing a largely observational style, Takesue allows the sight and sounds-and the people-of Uganda to speak for themselves. Usually the people she records simply ignore the camera, but when someone does engage-whether it's a group of school children clamoring for their moment in front of the lens or a young man asking the title question-the barriers between filmmaker, subject, and audience give way for breathtaking cinematic epiphanies.

Documentary

8.7